Isabella Rossallini directs, writes, and stars in Green Porno, a series of one to three minute biologically accurate short films about the reproductive lives of creatures. The writing is theatrical, the filming beautiful, and Rossallini hilarious. Season One follows bugs and Season Two focuses on sea creatures with creative scoring, dramatic lighting and simple but riveting set and costume designs. Green Porno takes itself and its art seriously with Rossallini’s tantalizing control responsible for both the comedy and dramatic tension. Continue reading
Category Archives: Inspiration!
In the women’s dressing room, a concerted kimono effort was taking place. As if my entrance had startled a flock of birds, layers of kimono flapped in the air and floated down around the necks of my fellow koto players. Two helpers per woman kept the wings up while the wearers’ arms slipped in, the fabric was wrapped and tied, and a third helper stood on a stool behind, up-sweeping the hair in a fashion that screamed prom. Butterfly clips and sparkling feathers adorned the sides of these up-dos. Here, it wasn’t kitschy, it wasn’t tacky. These women, ages 17 to 60, looked elegant in kimono passed down from their grandmothers who wore them the exact same way. Continue reading
In February, Japanese fiction luminary Haruki Murakami traveled to Israel to accept the Jerusalem Prize. Murakami had doubts about accepting the award, which honors the freedom of the individual in society, for good reasons. Israel had recently launched its overpowered offensive on the Gaza strip; he rightly felt ambivalent about the implications of being the new literary son of Israel. Continue reading
Sitting now in the empty staff room of my high school, I have just finished Bruce Chatwin’s On The Black Hill. I picked it up in a used foreign-language book store in Kyoto several weeks ago and have since then been consuming it reguarly with the same kind of avid attention one might give to a good cup of tea. I was able to soar through the final seventy-or-so pages that remained and I can say that On the Black Hill is one of the best works of fiction I have read in some time.
On Saturday, Melissa and I had the great fortune to attend a piano recital at the high school where she works. We don’t see live music as often as we would like to, and this opportunity, which had come to her unexpectedly, was one of those experiences that is enjoyed somehow sweeter for it comes out of the blue.
I have been living in Japan and taking koto lessons for 6 months. I have a students’ concert in one month and here I am, full of mistakes and cold reading the last part of “Sakura Saukra” in practice with my teacher, Mizutani-sensei. She gets the patience award. Big time. I take lessons weekly in her traditional home. She serves me tea and we bow with an “Onegaishimasu” before we begin the first song of the lesson. Continue reading
On Friday morning the weather was cold and wet. We readied to leave for work half an hour before departure, the two of us dealing out rain gear and debating the need for boots. I was going to meet Emmett at the train station after work and then off to Kyoto with us! We were celebrating our fourth anniversary. Four years of solid high fives, dancing in the kitchen, making instruments out of empty containers, packing and moving, making homes, making food, making friends, and participating in spontaneous a capella eruptions of Joanna Newsom’s “Bridges and Balloons.” Leaving the house, Emmett said, “Our adventure begins tonight!” I summoned Cary Grant, “Our adventure began four years ago.” Continue reading
People have been harbinging the decline of America for decades. Our rapid ascension to power combined with a near apocalyptic sense of our own national destiny has made the American landscape an inspirational setting for fictional takes on what an empire in decline will look like. Canadian filmmaker Denys Arcand’s suite of films, Le Déclin de l’empire américain (1986), Les Invasions barbares (2003) and L’Âge des ténèbres (2007), engages the question of North American cultural decay in a decade long dialogue so well written and performed that it seems to negate its own argument through the talent of its execution. Continue reading
We’ve only known her for one day and we might already Ω her. Capucine is a four year old little girl who lives in France with her family. She is a riveting storyteller and skilled actress. Her mother has been posting videos of her on Vimeo.com for over three years. Now, that which was probably an effort to keep Miss Capucine in touch with friends and relatives has made her a global sweetheart. Our friend Bonny sent me a link to this video—THANK YOU—it made my day. Continue reading
As part of my brief and unstudied education in Japanese I have been working out how to read family names. This is a manageable place to start, for nearly all names are made of only two kanji, pictographic characters descended from Chinese. Once I stopped associating each character with a phonetic counterpart, I was able to divine the symbolic meaning of the names. The characters’ sounds change depending on placement, noun-consonant morphology, or age of the name. The character 山, for instance, almost always reads as “yama”; however, in older family names and place-names 山 may read as “san” as in “Fujisan,” the famous mountain. In the greater picture, 山 means “mountain.” Once I focused on this, the names of the people around me began to tell a story that is not always obvious in the wake of Japanese modernity.